This research aims to methodologically blend fiction into reality, implying a terminological stretching and questioning as an expansive Osmondesquian mind-manifestation. Fiction morphing is a transformative transitioning from one structure or image towards a novelty, through a seamlessly creative fading technique. Fiction morphing is essentially a hybrid form of scenario writing and activism, of sciences and arts, of fiction and reality. It is not only about the conceptional blurring and blending of boundaries. It is particularly a methodology, which strategically and meticulously morphs economic and social fiction into reality. In general, being unrealistic is a way of making yourself happier. Fiction morphing thus delivers on such premise and promise, by establishing 15 journey stages. These 15 journey stages are the following; curating lost futures; searching for invisible fringes; transgressing unknown boundaries; exposing the unseen; empowering the otherness; exploring unauthorized knowledge; interrogating the pluralities; scaling adaptive capacities; creating synergetic satisfier; increasing interpersonal coherences; normalizing existential risks ethics; mapping omni-considerations and omni-positive purposes; manifesting anti-rivalry collectividualism; situating cognitive estrangement; embodying transcendental immersion. Intermediary findings will be presented as best-case studies and prime examples of fiction morphing. The outcome of the research is essentially a sub-conscious unleashing of a pluralistic futures manifestation and can only be presented within an act of breaking the fourth wall, as essentially no longer remaining absorbed in prior fictions.